![]() Saint-Saëns had been composing since the age of three. Saint-Saëns had been composing since the age of three You can appreciate he might not want all that to be overshadowed by a humourous salon work about animals. His works encompass every genre, from 13 operas, including Samson et Dalila, and the first film score by a well-known composer ( L’Assassinat du duc de Guise, 1908), down to a mini-extravaganza for a band of toy instruments entitled Les odeurs de Paris. It wasn’t as if he had written nothing else. He suspected it might prove too popular for his own good. Indeed, word about the work was spreading like wildfire, inducing the shrewd Saint-Saëns to stipulate that it must only be published until after his death (except for ‘The Swan’, which was released on its own). Here a star-studded rendition was given for an audience that included the elderly Franz Liszt, whose curiosity had been piqued. Saint-Saëns’ Carnival of the Animals was first aired in a private concert in March 1886, and next in April at the salon of Pauline Viardot, the singer, composer and musical celebrity to whose feet artistic Paris flocked en masse. Saint-Saëns’ Carnival Of The Animals: A grand zoological fantasy
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